Hi,
I don't know if it's of interest, but I found the following article quite interesting about Jeff Gosling.
Thriving along with my automobileWhen Jeff Gosling lost the use of his legs. he set up a factory to make the best hand controls for disabled drivers. Martin Gurdon meets the man who really understands his customers.
Preconceptions are dangerous things. Before meeting Jeff Gosling I'd pictured him as a bluff, fifty-something Mancunian with regulation jacket and tie, perhaps straining a little at the seams from years of business lunches.
Instead I was greeted by a casually dressed, fit, dynamic man who could have been in his middle thirties (in fact he's 42) and slightly resembles a younger Tony Blair.
I had expected the wheelchair. The legacy of a motorcycle accident it's been a fact of Jeff Gosling's life for the past two decades, but there's nothing wheelchair "bound" about its occupant.
Before the accident, Gosling was an aircraft engineer. When he began driving in a 1968 Triumph 2000 fitted with hand controls, he started looking at the controls both as a designer and an end user, and eventually decided to develop and make his own equipment.
"The design of these systems is fairly simple. Being an engineer and disabled I thought that made me fairly well qualified to say what they should be like."
After taking some time out "to learn French" he set up shop in 1988, works from a mill-turned-industrial-estate on the outskirts of Manchester and has been one of the prime movers behind ditching the utilitarian, crimped metal "NHS grey" hand controls that were being made a generation ago.
"If you're newly disabled, it's traumatic. This (modifying a car) is something you can do that is positive. Also, with a car, you're out and about and on an equal footing with everybody else," says Gosling, a man well used to having conversations with people looming over him.
Before the Triumph, he had visions of being forced in to one of the now almost extinct, pale blue, three-wheeled invalid carriages ("plastic rats") and was hugely relieved to discover there were alternatives. His company now offers infra-red steering wheel- mounted controls for lights, horn, wipers etc, seats that can slide in and out, and a bewildering array of winches and ramps. It can make accelerator pedals fold away, and modify handbrakes and gear quadrants so that they are easier to use.
However, it is the deceptively simple looking push/pull hand controls that remain at the heart of his business. Essentially, these consist of a padded steel bar pivoted under the steering column, attached directly to the brake and accelerator pedals using a mix of ball-jointed metal sections and tensioned cabling.
It's only when Gosling starts talking about how the padding is made from deformable material found inside windscreen pillars and bumpers, how the pivot has its own bearings (making the control lighter and nicer to use), or the work involved in getting the system's geometry right (basically, how all the bits are angled) that you begin to understand the skills employed.
Complex vehicle engineering for items such as fly-by-wire throttles ("there's nothing to push against") and the plethora of airbags found in today's cars makes fitting hand controls a delicate process, too.
No longer can the electrical spaghetti found inside many steering columns simply be hacked-about so that hand controls can be bolted in place. Sometimes there are no obvious attachment points, and this required further lateral thinking.
Where cars have automatically adjustable steering columns, these have to be shut down, and with Mercedes fitting airbags inside some steering columns, further ingenuity is required to make sure they're not interfered with.
It's not surprising that Gosling works from about 650 design drawings for different cars (there are three sets for the Toyota Starlet alone).
"There's a finite amount of room between the dash and the steering wheel," says Gosling, who beyond the serried ranks of Fiestas and Micras has modified Ferraris, Porsches, Aston Martins, shed-loads of BMWs and Mercedes, even a 50-year-old Jowett Javelin.
He's worked on electric sightseeing buggies, JCBs and a giant tractor, modified to allow a recently disabled farmer to stay in business. "I love getting my teeth in to things like that. We're not doctors, we're engineers, but we are fighting disease," he says.
Safety issues keep him busy. His latest controls have padding with the entertaining acronym of LIPS (for Leg Impact Protection System).
"If my wife Sue was driving and kneecapped herself, that would be a real catastrophe," says Gosling, who has two young daughters.
His company is accredited by Motability, the giant organisation that supplies vehicles to disabled drivers. The paperwork and specifications involved with this are as nightmarish as you would expect.
Making the controls inconspicuous is also part of the Motability remit, but has always been a big preoccupation for Gosling. The unspoken implication is that the market for cars fitted with hand controls is effectively a captive one, and it would be easy to adopt a joyless "take what you're given" approach to clients.
Gosling likes to drive. Currently he uses a new-shape BMW Compact ("it's a two-litre diesel producing 150bhp — amazing. They're using engines like this in aircraft"), in which he makes smooth and fast progress. The hand control is pulled towards the wheel to accelerate and pushed away to brake. It's a world away from battling with the tiller steering of a three-wheeled "plastic rat".
Before the BMW, Gosling drove a Toyota MR2. Both had clutchless Tiptronic transmissions offering either fully automatic or manual changes and he's a big fan of these systems for ease of use and fun ("why bother with manuals when automatics are now so good?").
He also flies a modified Piper light aircraft — fitted with Australian-made hand controls — and wistfully concedes that engineering his own system would involve even more red tape.
Jeff Gosling is not a saint, but he's an interesting man who found a way of making creative use of a potentially devastating experience. Although he would clearly rather be judged on who he is and what he does, rather than how he gets about, Gosling knows this informs his work.
"I'm in the same situation as my clients. I suppose that gives me a certain sympathy. I wouldn't make anything I'm not prepared to use myself."
Source: http://www.telegraph.co.uk/motoring/272669...automobile.html